Rental Family explores a simple question: If you pretend to care for long enough, when does it start to feel real? Mayur Sanap gives us a closer look.
'Sometimes it can get a little difficult to assert yourself, whether it's an opinion or your presence. It gets really exhausting.' 'They're still not able to accept that an intelligent woman can also really love wearing red lipstick!'
Silent it may aim to be, but Ufff Yeh Siyapaa is as headache-inducing as an out-of-tune brass band, sigh Deepa Gahlot.
It's been a while since Hindi cinema had a zany, well-written comedy, applauds Deepa Gahlot.
Dining With The Kapoors offers a perfectly edited, heart-warming family reunion, but it stops just short of showing the messy nok-jhoks and real moments that could have made it more immersive, notes Divya Nair.
Lord Curzon Ki Haveli lacks the wit and the wickedness to go anywhere with the mildly intriguing setup, observes Deepa Gahlot.
Throughout Parasakthi, Sivakarthikeyan mentions he is not against Hindi but the imposition of Hindi, notes A Ganesh Nadar.
Filmmaker Atlee and his wife Priya have joyfully announced the arrival of their second child, a baby girl.
Deepika Padukone and Ranveer Singh are expanding their family; the couple announced they are expecting their second child.
It's not the clothes or the rebellion that invites violence, but the mindset that continues to police and condition girls and encourages the perpetrator, instead of punishing the criminals. This lack of empathy is what ultimately brings The Kerala Story 2 down, observes Divya Nair.
Varun Dhawan shared a fun behind-the-scenes video from his upcoming film Hai Jawani Toh Ishq Hona Hai, revealing his nervousness while dancing in front of superstar Salman Khan.
We may not know Dr Ramani at first, but by the end, we get a clearer sense of his nobility. For a biopic, that's a job done well, notes Mayur Sanap.
Bhagwat Chapter One: Raakshas: An average watch instead of a compelling nightmare, notes Mayur Sanap.
Film folk are celebrating the New Year in all its forms, like Punjab's Baisakhi, Karnataka's Puthandu, Kerala's Vishu, Bengal's Poila Boishakh and Assam's Bohag Bihu, and sharing their greetings on social media.
Director Aditya Dhar expressed profound gratitude to cinematographer Vikash Nowlakha, crediting him as 'the eye, the instinct, and the soul behind Dhurandhar' for his unwavering dedication and emotional intelligence that brought the blockbuster film to life.
Former Miss World Manushi Chhillar recently captivated fans with her Maldives vacation diaries, showcasing a perfect blend of effortless beach glamour, chic swimwear, and a commitment to fitness amidst the serene island backdrop.
The power of Santosh hinges on the script, enhanced by Shahana Goswami and Sunita Rajwar's performances, observes Deepa Gahlot.
'Both Dhurandhar films in the spy universe have carved out legendary benchmarks for Indian cinema, and they'll be studied for generations across the globe.'
It's good to see Huma Qureshi help create a film which is as charming as it is empowering, without taking on the stridency that so many women-oriented films invariably adopt, notes Deepa Gahlot.
Pankaj Kapur, who visibly enjoys playing the ringmaster to this family circus, is the glue that holds Thode Door Thode Paas together, observes Deepa Gahlot.
If you've watched and liked the Cobra Kai series, you will love this movie and the way it ends, raves Varun Khanvilkar.
'You left young at heart, still eager to sing with the new generation entering the musical duniya.'
Salim Khan, after a recent hospital stay, delighted fans by making a public appearance alongside son Salman Khan to celebrate Eid.
A romantic drama set against the scenic backdrop of Japan, exploring a unique love story born from a wish and a day of temporary amnesia.
Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver the goods, notes Arjun Menon.
Jeethu Joseph's Valathu Vashathe Kallan works better as an emotional drama than an intriguing thriller, notes Arjun Menon.
One Battle After Another touches on big ideas like racism, immigration, abuse of power, identity, and parenthood without turning preachy, observes Mayur Sanap.
120 Bahadur is underwhelming, adding little fresh perspective and generally feeling like a standard war drama we have seen umpteen times before, notes Mayur Sanap.
Ginny Wedss Sunny 2 actor Avinash Tiwary and Medha Shankr are optimistic about their film's appeal to family audiences, addressing the current scarcity of family-friendly Hindi cinema.
Tere Ishk Mein is a disservice to brilliant actors like Dhanush and Kriti Sanon, who have poured their heart and soul into their performances in a story that fails to honour its characters, notes Divya Nair.
Nobody Wants This Season 2 might not reinvent the rom-com wheel, but it proves that messy love stories can be meaningful, relatable, and totally watchable, notes Divya Nair.
This Delhi Crime series belongs to Huma Qureshi, who plays Badi Didi as a hateful woman. She also commands some admiration for the way she negotiates with venal men and even some degree of sympathy for making the best of whatever life throws at her, observes Deepa Gahlot.
Understand your travel insurance policy before travelling abroad this summer. This article outlines what travel insurance covers, including trip cancellations, missed connections, and medical emergencies, and what it excludes, such as war-related disruptions and pre-existing conditions.
Made at a time when an insidious agenda can be read into it, Haq is an important film that deals with a contentious subject with maturity, observes Deepa Gahlot.
This turgid drama, solely designed to titillate male audiences, move from one hare-brained scene after another with intermittent over-acting, ear-splitting background music, and over-the-top dialoguebaazi, sighs Mayur Sanap.
Adivi Sesh hosted a screening of his new release, Dacoit: Ek Prem Katha, in Mumbai, and invited film folk to watch it.
'Idli Kadai wears its heart on its sleeve, embracing nostalgia and roots with both hands. Dhanush is in top form as an actor and director here, mining most of the material,' recognises Arjun Menon.
Aditya Dhar's Dhurandhar The Revenge continues its stellar box office performance, nearing the Rs 1,100 crore mark in its Hindi version, while the new release Dacoit: Ek Prem Katha struggles to make an impact.
Mirai is an ambitious, but lazily timid visual effects overkill that squanders away potential with an undercooked early draft screenplay that needed rework, notes Arjun Menon.
